project
| mysteries of the deep sea |
project | mysteries of the deep sea |
This project explores the ocean’s deep layers, centring on the Twilight Zone; a realm where light fades and survival relies on bioluminescence.
The visual direction unfolds through 3D-printed materials with octopus-like tactility and UV-printed metallic surfaces, culminating in a zine that traces the descent from illuminated surface to total darkness. Natural props construct a cohesive narrative between organic matter and a digital seascape.
project
| harvested realities |
project | harvested realities |
A series of three short films and a photographic series inspired by John Martin’s triptych The Biblical Disaster. The project creates an immersive environment depicting apocalyptic landscapes and world destruction, drawing on narrative themes inspired by the bible.
part 1 - THE LAST JUDGEMENT (1853)
part 2 - THE great day of his wrath (1851-3)
part 3 - THE plains of heaven (1851-3)
My visual storytelling employs constructed sculptures and props as semiotic tools, examining the use of animal-derived materials and the ongoing exploitation of animals alongside nature’s decline.
I designed halo-figure sculptures to evoke religious iconography, using metaphor to convey a sense of divinity within the narrative.
part 1
FULL VIDEO - PART 1
part 2
FULL VIDEO - PART 2
part 3
FULL VIDEO - PART 3
project
| fears |
project | fears |
The Rorschach test is a psychological assessment using ambiguous inkblots to explore personality, emotions, and thought processes. My approach aligned with this by creating visuals that invite subjective interpretation.
incorporating laser-cut mirrored surfaces and fabric collateral, the work merges the model’s reflection with imagery to explore the gap between self-perception and reality. The space between what is shown and how it’s interpreted drives the entire concept.
